The exhibition features two series of works. In the first series, “Homework” (2024), illustrator Naama Benziman examines the presence and absence of home in personal and national contexts. The second series builds on the first and includes nine new works created by Dori Orin in collaboration with Naama Benziman. Using the FLUX engine, an AI tool, a unique training method (Low-rank adaptation) was applied based on the first series. The familiar image of the home and the orderly grid of a lined notebook, which were disrupted in the first series, undergo further distortion in the second series, created through prompts (textual instructions) fed into the AI system. The exhibition raises themes of search, uncertainty, randomness, and arbitrariness, which characterize both the present era and the world of artificial intelligence.